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Pi Symphony Overview
  Pi symphony was born in a Calculus I class in the early 1990's. With my habit of making numbers into melodies, I decided to try the digits of pi. I was astonished to discover the simple melody which does not sound at all random out to 32 digits. At that time I did some more research and found that the digits of pi have only been calculated out to several hundred digits for a couple of hundred years. My goal then became to create a classic orchestration of this melody which imparts the emotions associated with scientific discovery. Within a year or two, I had finished the Pi Symphony, while studying Engineering/Physics at the University of Nebraska at Omaha. I had several orchestral arrangements performed, but alas, never Pi. I spent one entire summer editing and writing more on the score. There are some .mp3 files of excerpts (below) from the synthesized rendition. One goal of this site is to sell copies of my synthesized rendition, to hopefully connect with an appropriate debut environment.

Pi Symphony Samples
  Please use samples as a reference. If you want to talk about Pi Symphony please purchase a copy. Don't just download the sample. SHeesh! Note all the COOL people below who have REAL copies of my work and will be forever included in the master score.

Pi and 'e'

Pi Symphony Movement #1 PI and e (7:00 minutes)

Real Audio Sample (32kbps)
40 sec. Mp3 sample 700k

This sample opens with pi rounded to 3.1416 on horn, followed by the ensemble playing the same. Next a short fanfare digs deeper into the digits. At 44: seconds, the flute plays pi while all other instruments play snippets of the digital sequence.
At 1:36, the melody of 'e' is introduced on the flutes
At 1:45, The trupets play pi accompanied by strings whose chordal structure is also dictated by the digits.

The CIRCLE

Pi Symphony Movement #2 The CIRCLE (6:43 minutes)

Real Audio Sample (32kbps)
20 sec. Mp3 sample 400k

This sample opens with a fast run through the circle of fourths followed by a semi-dissonant pi.
At 1:00 into the sample, we begin harmonically around the circle of fourths.
At 2:03 you hear pi on the horns.

Contributors
  Contributors Include:

Michael Round

Cedric Hartman

Tina Nichols

Jim and Mary Jenkins

Frank Fauble

Scott Liberty

Peter Buffett

Rick Renn

Jack Round

Anonymous ( $31.41 )

Ingrid Erickson

Daniel Wilkins

Judith Downey

John Konvalina

Jennifer Cook

Frank Stadler

Bahman Kalantari

C. Kelly Lohr

Wayne Hayes

Joel K. Haack

Ann McGill

Beth Novak

Patrick Michael McCarthy
(long lost friend rediscovered)

Stephen Griffith

Winston Baldwin

Reza Sarhangi

Louis Pachman

Dr. James J. Watters

Kim Yun Ju

Holly Herman

Lisa Gustafson

Paula Baddley

Chad P. Cotton

Margaret Herlihy

William Patrick

Jill Lombaer

James Eyrich

Maria Steffero

Mark Abbott

Kathleen E. McCarthy

Rodney J. Schmitz

Jean McQuillin

Christine Grablin

Debbie Pankow

Ken Hamik

Christ Van Willegen

Andy Gaines

Alan Friedman

Bruce Hendricks

Amy Cantrell

Mary L. Klar

Katherine F. Jankowski

Sandi Bruns

Jan Buckingham

David & Ginnie Tyler

John W. Threlkeld

Kathy Moore

Janice Gibson

Anita T. Ecker

Jennifer Lynn Rasel

Karen Collins

Mary Thornburg

Cindy Powell

Jonathon Robinson

Neal Grandgenett

Edward T. Pegg Jr.

Dave Frick-Wright

Roger A. Henrichson

Barb Mulliner

Louise McCoskey

Rita Bergeron

Ronald E. Keutzer, Marmion Academy

Patricia M. Iozzo

Diane Anderson

Kristin Bedell

Laura Bauer

Muriel L. Shaw

Scott Rodham

Kathy Layton

Maureen Rossi

Cathy Hundt, Archbishop Alter H.S.

Paul Alves

Lori Alexander

Doug Hanson

Mary Clausen

Lana Rhoads

David Lunbeck

Lawrence Bangay

Margaret Erickson

Daniel Schafer




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